《身後璀璨 》系列作品啟發自歐洲教堂裡的壁畫與中古世紀的插畫背景，並延續我對「背景」空間的關注。

 當我們在觀看圖像時通常會著重於主角，而背景是比較容易被人忽略的部份。這系列作品把主角與前景抽離，挪用原作背景重複排列的圖形符號，讓「背景」成為新的主角。

 每一個符號以工整緩慢的方式描繪，試圖在耗時的創作行為中理解、並經驗過去僧侶與匠人在繪畫過程中所尋求之精神上的專注與純粹性。

​

Glory Behind series are inspires by the murals in the churches and the background of illuminations, which continue my interest in background and negative space.

When we look at an image, we usually tend to focus on the main characters instead of the background. This series of works separate the foreground and background. I appropriated the background from those murals and illuminations, made the repetitive patterns new main characters.

Each symbol is depicted slowly, I tried to experience the spirituality and pure state of monks and craftsmen back in the old time and transcendent it to my viewers.

摒除敘事和具體的內容，《時光中的時光風景》系列用線條的構成消弭觀者對於圖像符號的主觀詮釋 。有機且看似綿延無止境的橫向線條，象徵著自然中平和的韻律，而色彩暗示著季節與不同的時刻；不斷重複的繪畫過程也揭示了自我的存在 ，並將片斷、瑣碎的時間凝結在畫布中。

​

Timescape in Time appear to be composed of horizontal lines, but in fact they are made up by smooth curves. This configuration is comparable to time, which looks like a continuous and uninterrupted organism, but in reality consists of discrete and fragmented units. My works, in the midst of light, color, and recurring rhyme, constitute a simple meditative space, where frozen time abounds.

For me, lines encompass infinite possibilities. They possess slow and tranquil qualities, divide a pictorial space into segments, build up layered fragments of time, and also weave a web of the present mental state. Through lines, light, and color, tranquility becomes tangible and all elements on the picture seem murmuring, as if they were inviting the viewers to enter a temporary état de pureté.

​